Low Cost Trafalgar art prints

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Reccomended Items :

The Fledgling by Ivan Berryman. (E)

Item Price : £115

Nemesis by Ivan Berryman.

Item Price : £95

Trafalgar Aftermath by Ivan Berryman.

Ravaged by the combined guns of the allied French and Spanish fleets at Trafalgar and by the great storm that followed the battle, a weary battered HMS Victory enjoys the relative calm as crew from HMS Neptune are despatched to take up the tow from the 3rd rater HMS Polyphemus for the final leg of her journey to the safety of Gibraltar, the flagship still bearing the body of Admiral Lord Horatio Nelson.

Signed limited edition of 1150 black and white prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 black and white artist proofs. Image size 12 inches x 7 inches (31cm x 18cm) . Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original acrylic painting by Ivan Berryman. .. Price £


ITEM CODE B0220


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The Last Battle, Berlin, 30th April 1945 by David Pentland. (E)

Item Price : £120

Scramble by David Pentland. (P)

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HMS Captain at the Battle of Cape St Vincent by Ivan Berryman

Viewed across the damaged stern of the 80-gun San Nicholas, Nelson drives HMS Captain onto the Spanish vessel in order that she can be boarded and taken as a prize, the British marines and men scrambling up the Captains bowsprit to use it as a bridge. The San Nicholas then fouled the Spanish three decker San Joseph (112), allowing Nelson and his men to take both ships as prizes in a single manoeuvre. A British frigate is moving into a supporting position in the middle distance.

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00


Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original acrylic painting by Ivan Berryman. Image size 14 inches x 10 inches (36cm x 25cm). Price £750.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE B0125


2 Discount Two-Print Packs Available on These Editions, Including :

Buy With :
Battle of Trafalgar by Ivan Berryman.
for £46

Save £6 !

Buy With :
Battle of Trafalgar by Ivan Berryman (AP)
for £80

Save £6 !

The Battle of the Nile by Ivan Berryman.

Sunset over Aboukir Bay on 1st August 1798 as ships of the Royal Navy, led by Nelson, conduct their ruthless destruction of the anchored French fleet. To the left Saumarezs HMS Orion is moving into position on the Peuple Souvrain, while her starboard guns rake one of the French frigates inshore. Orion, like the Goliath, Zealous and Audacious, had slipped inside the line of the unprepared French fleet, while Nelson in the Vanguard directed a further eight ships to attack the outside, resulting in one of the most decisive naval victories ever. The French ships seen at anchor include Spartiate and Aquilon, whilst through the gap between Peuple Souvrain and the bowsprit of the Franklin, the British ships Defence and Minotaur can be seen approaching.

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original acrylic painting by Ivan Berryman. Image size 14 inches x 10 inches (36cm x 25cm)m)) (36cm x 25cm). Price £


ITEM CODE B0204


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The Charge of the Red Lancers on Mercers Troop of Royal Horse Artillery by Chris Collingwood.

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Time to Move by Randall Wilson. (B)

Item Price : £145

HMS Royal Sovereign at the Battle of Trafalgar by Ivan Berryman.

Midday, 21st October 1805, and Admiral Collingwoods flagship, the 100-gun HMS Royal Sovereign, breaks the allied line and delivers a shattering broadside on the Spanish flagship Santa Anna. Making great speed, Collingwoods ship had breached the Franco-Spanish line some distance ahead of the rest of his van and the Royal Sovereign suffered heavily as she quickly drew the attentions of three French and three Spanish ships. To her starboard, the French Indomitable can be seen firing into the British flagship while, astern of the Santa Anna, Belleisle and Fougueux are engaging ahead of Mars, Monarca and Pluton.

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


ITEM CODE B0104


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Highland Cattle, Glen Coe by Rex Preston.

Item Price : £44

Nemesis by Ivan Berryman.

Item Price : £95

The Battle of Trafalgar, 2.30pm. The Taking of the Santisima Trinidad by Ivan Berryman

Dominating the centre foreground, the wreck of the largest ship at Trafalgar, the massive four decker Santisima Trinidad (130 guns), comes under further attack from the British Neptune (98 guns) All her masts have fallen, rendering the Spanish giant an unmanageable hulk. Elsewhere, the battle rages on with Temeraire and Victory engaged with the French Redoubtable, while to the right of the picture, the shattered, drifting remains of Villeneuves Bucentaure (80 guns) is approached by the Mars (74 guns) Conqueror (74 guns), off the Santisima Trinidads port quarter, is keeping up a distant fire to assist the Neptune.

Signed black and white limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited black and white edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original black and white acrylic painting by Ivan Berryman. Image size 16 inches x 12 inches (41cm x 31cm). Price £


ITEM CODE B0153


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The Fledgling by Ivan Berryman. (E)

Item Price : £115

Captain Harveys HMS Temeraire tries to pass HMS Victory at the beginning of the Battle of Trafalgar by Ivan Berryman.

21st October 1805. As Admiral Nelsons flagship leads the British fleet towards the Franco-Spanish line, Captain Harveys Temeraire tries to pass the Victory in order to be the first to break the enemy column. Harvey was discouraged with a customry rebuke from Nelson and duly fell into line behind the flagship. The enemy can be seen spread along the horizon whilst, to the right in the distance, the leading ships of Admiral Collingwoods fleet can be seen spearheading a separate assault to the south. In the light airs preceding the battle, much sail was needed to drive the British ships towards the enemy line. HMS Victory, nearest, has royals and stunsails set and is making good way, her furniture boats strung behind in readiness for battle. On her poop deck, officers prepare to run up a signal.

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original acrylic painting by Ivan Berryman. Image size 16 inches x 10 inches (41cm x 25cm). Price £800.00


ITEM CODE B0122


2 Discount Two-Print Packs Available on These Editions, Including :

Buy With :
The Battle of the Nile by Ivan Berryman.
for £46

Save £6 !

Buy With :
The Battle of the Nile by Ivan Berryman (AP)
for £80

Save £6 !

Battle of Trafalgar by Ivan Berryman.

One of the most decisive battles in the history of the Royal Navy, Nelsons defeat of the French fleet took place on 21st October 1805 off Cape Trafalgar and was conducted with not a single British ship lost, although few ships escaped severe punishment and loss of life on both sides was tragically high

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


ITEM CODE B0062


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Air Armada by Robert Taylor.

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Knockout Blow by Ivan Berryman. (P)

Item Price : £380

Trafalgar - The Destruction of the Bucentaure by Ivan Berryman.

With her mizzen top already gone and her sails aloft having received severe punishment, Victory breaks through the line behind the French flagship Bucentaure, delivering a shattering broadside into her stern. So severe was this opening fire that the Bucentaure was effectively put out of the rest of the battle, although Admiral Villeneuve himself was to miraculously survive the carnage. Beyong Victory can be seen the French Redoubtable, which is receiving fire from Victorys starboard guns, and the Spanish San Leandro is in the extreme distance. Most of Victorys stunsails have been cut away, but it was her stunsail booms that became entangled with the rigging of the Redoubtable when she put her helm to port and ran onto her. Admiral Nelson fell shortly afterward, having received a fatal wound from a musket ball fired by a French sharpshooter in Redoubtables mizzen fighting top. The Temeraire can be seen approaching the fray to the right.

Signed limited edition of 1150 prints. Image size 12 inches x 7 inches (31cm x 18cm). Price £26.00

Special Offer Part of our Buy One, Get One Half Price Offer



Limited edition of 50 artist proofs. Image size 12 inches x 7 inches (31cm x 18cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Original acrylic painting by Ivan Berryman. Image size 14 inches x 10 inches (36cm x 25cm)m)36cm x 25cm) (36cm x 25cm). Price £


ITEM CODE B0124

 B0153. The Battle of Trafalgar, 2.30pm.  The Taking of the Santisima Trinidad by Ivan Berryman.  Dominating the centre foreground, the wreck of the largest ship at Trafalgar, the massive four decker Santisima Trinidad (130 guns), comes under further attack from the British Neptune (98 guns).  All her masts have fallen, rendering the Spanish giant an unmanageable hulk.  Elsewhere, the battle rages on with Temeraire and Victory engaged with the French Redoubtable, while to the right of the picture, the shattered, drifting remains of Villeneuves Bucentaure (80 guns) is approached by the Mars (74 guns).  Conqueror (74 guns), off the Santisima Trinidads port quarter, is keeping up a distant fire to assist the Neptune.

B0104. HMS Royal Sovereign at the Battle of Trafalgar by Ivan Berryman.  Midday, 21st October 1805, and Admiral Collingwood's flagship, the 100-gun HMS Royal Sovereign, breaks the allied line and delivers a shattering broadside on the Spanish flagship Santa Anna. Making great speed, Collingwood's ship had breached the Franco-Spanish line some distance ahead of the rest of his van and the Royal Sovereign suffered heavily as she quickly drew the attentions of three French and three Spanish ships. To her starboard, the French Indomitable can be seen firing into the British flagship while, astern of the Santa Anna, Belleisle and Fougueux are engaging ahead of Mars, Monarca and Pluton.

B0122. Prelude to Trafalgar by Ivan Berryman.  21st October 1805.  As Admiral Nelson's flagship leads the British fleet toward the Franco-Spanish line, Captain Harvey's Temeraire tries to pass Victory in order to be the first to break the enemy column.  Harvey was discouraged with a customary rebuke from Nelson and duly fell into line behind the flagship.  The enemy can be seen spread along the horizon whilst, to the right in the distance, the leading ships of Admiral Collingwood's fleet can be seen spearheading a separate assault to the south.

B0062. Battle of Trafalgar by Ivan Berryman.  HMS Victory finally disengages from the wrecked Redoubtable, while the Temeraire, having broken from La Fougueux, remains locked with the French ship. At one point, all four ships had been on board of each other in line abreast, each firing broadside after broadside into each other. To the right of the painting, the French Bucentaure lies helpless, her vulnerable stern having been smashed by Victory's relentless gunfire.

B0124. Trafalgar - The Destruction of the Bucentaure by Ivan Berryman.  With her mizzen top already gone and her sails aloft having received severe punishment, Victory breaks through the line behind the French flagship Bucentaure, delivering a shattering broadside into her stern.  So severe was this opening fire that the Bucentaure was effectively put out of the rest of the battle, although Admiral Villeneuve himself was to miraculously survive the carnage.  Beyond Victory can be seen the French Redoubtable, which is receiving fire from Victory's starboard guns, and the Spanish San Leandro is in the extreme distance.  Most of Victory's stunsails have been cut away, but it was her stunsail booms that became entangled with the rigging of the Redoubtable when she put her helm to port and ran onto her.  Admiral Nelson fell shortly afterward, having received a fatal wound from a musket ball fired by a French sharpshooter in Redoubtable's mizzen fighting top.  The Temeraire can be seen approaching the fray to the right.

B0125. HMS Captain at the Battle of Cape St Vincent by Ivan Berryman.  Viewed across the damaged stern of the 80-gun San Nicholas, Nelson drives HMS Captain onto the Spanish vessel in order that she can be boarded and taken as a prize, the British marines and men scrambling up the Captain's bowsprit to use it as a bridge.  The San Nicholas then fouled the Spanish three decker San Joseph (112), allowing Nelson and his men to take both ships as prizes in a single manoeuvre.  A British frigate is moving into a supporting position in the middle distance.

B0204. The Battle of the Nile by Ivan Berryman. Sunset over Aboukir Bay on 1st August 1798 as ships of the Royal Navy, led by Nelson, conduct their ruthless destruction of the anchored French fleet. To the left Saumarez's HMS Orion is moving into position on the Peuple Souvrain, while her starboard guns rake one of the French frigates inshore. Orion, like the Goliath, Zealous and Audacious, had slipped inside the line of the unprepared French fleet, while Nelson in the  Vanguard directed a further eight ships to attack the outside, resulting in one of the most decisive naval victories ever. The French ships seen at anchor include Spartiate and Aquilon, whilst through the gap between Peuple Souvrain and the bowsprit of the Franklin, the British ships Defence and Minotaur can be seen approaching.

B0220. Trafalgar Aftermath by Ivan Berryman.  Ravaged by the combined guns of the allied French and Spanish fleets at Trafalgar and by the great storm that followed the battle, a weary battered HMS Victory enjoys the relative calm as crew from HMS Neptune are despatched to take up the tow from the 3rd rater HMS Polyphemus for the final leg of her journey to the safety of Gibraltar, the flagship still bearing the body of Admiral Lord Horatio Nelson.  

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £420

Merlin Roar by Anthony Saunders Price : £80

Hurricane Patrol by Graeme Lothian Price : £150

Holding the Line - The Battle of Britain by Nicolas Trudgian Price : £150

Front Line Hurricanes by Robert Taylor Price : £220

ARTIST
Featured Artist - Robert Taylor



The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession.

Battle of Britain Hurricane Signature Prints



Save £180 on this specially selected pack of Battle of Britain Hurricane aviation art prints. All four prints for £420, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Merlin Roar by Anthony Saunders,
Hurricane Patrol by Graeme Lothian,
Holding the Line - The Battle of Britain by Nicolas Trudgian
and
Front Line Hurricanes by Robert Taylor.

In all, the prints have 12 different signatures of pilots and aircrew related to Hurricanes during the Battle of Britain.

In particular, Front Line Hurricanes by Robert Taylor features 6 signatures of now sadly deceased pilots - some of them a rarity in print signings.

Click the 'Special Offer Pack' Edition to order.

DETAIL IMAGES





EXTRAS

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See more Anthony Saunders Aviation Art at Anthony Saunders .co .uk
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